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contact improvisation and embodiment

Please register and check: https://liste.motionlab.cologne


EVENTS, INTENSIVES AND WORKSHOPS

21.2-22.2.26
HASSAN AFTABRUYAN
contact practice

Breathing bowls in balance
poetic anatomy in motion

1.3.26
LEA SCHMIDT
movement practice

Dancing spaces – Improvisation

21.3-23.3.26
SIMONETTA ALESSANDRI
contact practice

Embodying and navigating opposites – Feldenkrais and CI

12.4.26
UNDESIGN
movement practice

Encounter
Performance into Jam 

25.-26.4.26
DAVID BLOOM
social body

Dancing as trickster survival strategy

1.-3.5.26
FREDERIK WAHL
emotional body

Somatic journey

14.-17.5.26
DEFNE ERDUR
emotional body

Embodying consent

20.-21.6.26
ANDREW WASS
contact practice

Repetition as resourceful experimentation

27-28.6.26
FABIAN CHYLE
movement practice

Choreografies of connection

11.-15-7.26
KIORI KAWAI
movement practice

CI Meditative Flow

6.-9.8.26
SAED MANSOUR
social body

Dancing the political

EVENTS, INTENSIVES AND WORKSHOPS

29.8-2.9.26
ALITO ALESSI
movement practice

Danceability intensive

12.9.26 / 7.11.26
KATHARINA FRIMONT / SUSANNA HORN
movement practice

Fluidity and Membrane Permeability – Embodied Contemporary Dance into CI

19.-20.9.26
VEGA LUUKKONEN
contact practice

Falling in love with trios

3-7.10.26
BRENTON CHENG contact practice

The connected body in contact

24-26.10.26
IRENE SPOSETTI contact practice

Tuning bodies

31.10-2.11.26
STEFAN LEANG / NICOLA KUHLE movement practice

Focus and expanse
Sensory Awareness and Intuitive Archery

17-19.11.26
RALF JAROSCHINSKI
contact practice

CI Pro: The Fulcrum
Mechanics versus Organics

21-22.11.26
RALF JAROSCHINSKI
contact practice

The temporal dimension

28.-29.11.26
SUSANNE BENDER
emotional body

Moving family reconstruction

21.12-2.1.27
TIMESHIFT
contact practice

Together through the rough nights

30-31.1.27 Tom Goldhand
contact practice
6-8.3.27 Scott Wells
contact practice

My focus

Contact Improvisation is not restricted by forms. Our movements are free. In other words: they are driven by our own decisions. I am interested in the non-performing aspect of this art, the non-violent body communication and the creation of an unintentional space to witness all aspects of creation.

Network

facebook.com/groups/130268517131265/
contactquarterly.com
contactfestival.de

contactimpro-koeln.de
contactimpro-aachen.de
contactimpro-essen.de
gabrielekoch.net (Wuppertal)
tanjastriezel.de (Bonn)

What is Contact Improvisation?

Contact Improvisation is an evolving system of movement initiated in 1972 by American choreographer Steve Paxton. The improvised dance form is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their motion—gravity, momentum, inertia. The body, in order to open to these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner. Contact improvisations are spontaneous physical dialogues that range from stillness to highly energetic exchanges. Alertness is developed in order to work in an energetic state of physical disorientation, trusting in one’s basic survival instincts. It is a free play with balance, self-correcting the wrong moves and reinforcing the right ones, bringing forth a physical/emotional truth about a shared moment of movement that leaves the participants informed, centered, and enlivened.

Early definition by Steve Paxton and others, 1970s, from CQ Vol. 5:1, Fall 1979