IMONIW11-13 Bodywork to Dance
ITUEEW11-13 Authentic Contact
IWEDIW11-13 Bodywork to Dance
IWEDIW14-16 Authentic Contact
IWEDIW16-17 ContaKids
ITHUEW8-9 CDP (!! NEW !!)
ITHUEW9:30-11:30 Authentic Contact
IFRIWW20-23 Jam
ISATEW19-22 Jam please check the list!
ISUNEW19-21 CI Fundamentals
Family Jam Sa, 7.3.2026
Please register and check: https://liste.motionlab.cologne
SEMINARS
Feb 26 Study group violence
Feb 26 CAT Space, Time, Group
Aug 26 CAT Principles
EXPLORE AND LAB
Sun1st Permagroup social body
Mon2nd Moving Constellations emotional body
LECTURE INTO JAM social body
28.3.26 An improvised society by Hassan
25.4.26 Desire by David Bloom
21.6.26 C~I by Andrew Waas
EVENTS, INTENSIVES AND WORKSHOPS
1.3.26
LEA SCHMIDT
movement practice

21.3-23.3.26
SIMONETTA ALESSANDRI
contact practice

12.4.26
UNDESIGN
movement practice

25.-26.4.26
DAVID BLOOM
social body

1.-3.5.26
FREDERIK WAHL
emotional body

14.-17.5.26
DEFNE ERDUR
emotional body

20.-21.6.26
ANDREW WASS
contact practice

27-28.6.26
FABIAN CHYLE
movement practice

11.-15-7.26
KIORI KAWAI
movement practice

6.-9.8.26
SAED MANSOUR
social body

EVENTS, INTENSIVES AND WORKSHOPS
29.8-2.9.26
ALITO ALESSI
movement practice

12.9.26 / 7.11.26
KATHARINA FRIMONT / SUSANNA HORN
movement practice
Fluidity and Membrane Permeability – Embodied Contemporary Dance into CI

19.-20.9.26
VEGA LUUKKONEN
contact practice

3-7.10.26
BRENTON CHENG contact practice

24-26.10.26
IRENE SPOSETTI contact practice

31.10-2.11.26
STEFAN LEANG / NICOLA KUHLE movement practice

17-19.11.26
RALF JAROSCHINSKI
contact practice

21-22.11.26
RALF JAROSCHINSKI
contact practice

28.-29.11.26
SUSANNE BENDER
emotional body

21.12-2.1.27
TIMESHIFT
contact practice

30-31.1.27 Tom Goldhand
contact practice
6-8.3.27 Scott Wells
contact practice

Contact Improvisation is not restricted by forms. Our movements are free. In other words: they are driven by our own decisions. I am interested in the non-performing aspect of this art, the non-violent body communication and the creation of an unintentional space to witness all aspects of creation.
Some of my thoughts about the relation between contact improvisation and social structures here for download
facebook.com/groups/130268517131265/
contactquarterly.com
contactfestival.de
contactimpro-koeln.de
contactimpro-aachen.de
contactimpro-essen.de
gabrielekoch.net (Wuppertal)
tanjastriezel.de (Bonn)
Contact Improvisation is an evolving system of movement initiated in 1972 by American choreographer Steve Paxton. The improvised dance form is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their motion—gravity, momentum, inertia. The body, in order to open to these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner. Contact improvisations are spontaneous physical dialogues that range from stillness to highly energetic exchanges. Alertness is developed in order to work in an energetic state of physical disorientation, trusting in one’s basic survival instincts. It is a free play with balance, self-correcting the wrong moves and reinforcing the right ones, bringing forth a physical/emotional truth about a shared moment of movement that leaves the participants informed, centered, and enlivened.
Early definition by Steve Paxton and others, 1970s, from CQ Vol. 5:1, Fall 1979