Mon 8:00-9:30 CDP
Mon 11-13 Bodywork to Dance
Tue 11-13 Authentic Contact
Wed 11-13 Bodywork to Dance
Wed 14-16 Authentic Contact
Thu 9:30-11:30 Authentic Contact
Fri 20-23 Jam
Sat 19-22 Jam
Sun 19-22 Class into Jam
Please register: https://liste.motionlab.cologne
19.6-22.6.25 Nita Little
12-13.7.25 Vega Luukkonen
21-25.7.25 Hassan Aftabruyan
23-27.8.25 Kiori Kawai
29.9-1.10.25 CI Pro: Ralf Jaroschinski
3.10-5.10.25 Ralf Jaroschinski
18.10-20.10.25 Shel Wagner Rasch
8-9.11.25 Scott Wells
26.12-1.1.26 timeshift
24-26.1.26 Tom Goldhand
21.-22.2.26 Hassan Aftabruyan
21.-23.3.26 Simonetta Alessandri
25.-26.4.26 David Bloom
1st Sunday Permagroup
2nd Monday Moving Constellations
Start Aug 25 CAT Principles
Start Feb 26 CAT Space, Time, Group
28-29.11.26 Susanne Bender
CI Pro: Spatial Support
29.9-1.10.2025
Queer and non-binary improv
3.10.-5.10.2025
Very Early Bird Price until 15.8.25
On the shoulders of giants – reaching the higher lifts 24.1-26.1.26
Very Early Bird Price until 15.11.25
Contact Class. Body, techniques, awareness, communication. A contact class for more physical possibilities, to open your senses and to play with the principles of physical communication. Please register! 15 EUR / Unit or 40 EUR / month
Bodywork2Dance uses different types of bodyrelease techniques to relax us. Our body starts to flow. This is the time to start dancing into heaven. Please register! 15 EUR / Unit or 40 EUR / month
Class into Jam with focus on CI fundamentals. 90 Minutes Class, 90 Minutes Jam (Only Jam is possible. Please register! 15 EUR / Unit or 40 EUR / month
Contact jamming with all that is in you in that moment. Neusser Str. 26, Aikidoschule im Hinterhof. 10 EUR cash, PayPal, CreditCard
(not incl. in monthly subscription plans)
Comments to the jam space
In this weekly class we will explore Barbara Dilley’s Contemplative Dance Practice a practice at the intersection of meditation and dance improvisation.
Please register! 15 EUR / Unit or 40 EUR / month
5-month seminar for research into Contact Improvisation and its effects in groups, trauma situations and personal development
Can we co-exist in the same non-verbal space with our diversity? Can we stay connected? A dance with and within our social body.
Fixed group. Please register via E-mail or messenger 30 EUR per month, commitment for 12 month.
Can we use Contact Improvisation to watch different patterns and issue that are in our life? This group is dedicated to research CI with the work of constellations. What happens if we bring constellations in movement and constact?
Please register via E-mail or messenger.
Contact Improvisation is not restricted by forms. Our movements are free. In other words: they are driven by our own decisions. I am interested in the non-performing aspect of this art, the non-violent body communication and the creation of an unintentional space to witness all aspects of creation.
Some of my thoughts about the relation between contact improvisation and social structures here for download
facebook.com/groups/130268517131265/
contactquarterly.com
contactfestival.de
contactimpro-koeln.de
contactimpro-aachen.de
contactimpro-essen.de
gabrielekoch.net (Wuppertal)
tanjastriezel.de (Bonn)
Contact Improvisation is an evolving system of movement initiated in 1972 by American choreographer Steve Paxton. The improvised dance form is based on the communication between two moving bodies that are in physical contact and their combined relationship to the physical laws that govern their motion—gravity, momentum, inertia. The body, in order to open to these sensations, learns to release excess muscular tension and abandon a certain quality of willfulness to experience the natural flow of movement. Practice includes rolling, falling, being upside down, following a physical point of contact, supporting and giving weight to a partner. Contact improvisations are spontaneous physical dialogues that range from stillness to highly energetic exchanges. Alertness is developed in order to work in an energetic state of physical disorientation, trusting in one’s basic survival instincts. It is a free play with balance, self-correcting the wrong moves and reinforcing the right ones, bringing forth a physical/emotional truth about a shared moment of movement that leaves the participants informed, centered, and enlivened.
Early definition by Steve Paxton and others, 1970s, from CQ Vol. 5:1, Fall 1979